Portal de Cartagena
www.portaldecartagena.com
Note from the Youth Council of the City of Cartagena:
Eva Lootz is National Arts Award (1994) and is one of the most important contemporary artists art scene.
In his career he has established an intensive dialogue between the various arts.
Part of anti-expressive approaches and procedural, aiming at expanding the concept of art, moving towards the creation of intersensory and surrounding areas, or in terms of the author, to an "art continuum."
His work, in which there is a strong interest in the interaction between matter and language, from the beginning is characterized by the use of heterogeneous registers and multicisciplinares.
Among its exhibits include Metal (Madrid 1983), Night, they said (Barcelona 1987), written Carpet (Amsterdam1990) Whirling Arenas (Tarragona 1991), A Farewell to Isaac Newton (Londres1994), the mother waves (Valencia 1997), Eva Lootz (1997 Boras, Sweden, Lund 1998, Sweden, 1998 Odense, Denmark) Ich und Du (Cologne 2000), Drift (Porto 2001), Berggasse 19 (Madrid 2001), The language of birds (Palacio de Cristal del Retiro Reina Sofia Museum, Madrid 2002) and Sedimentacions (Fundació Sa Nostra Palma, Ibiza, Mahon 2004) and hydraulic Landscapes (Trinta Gallery, Santiago de Compostela, 2007)
Has made permanent interventions in public space as NO - MA-DE - JA - OJ on the island of La Cartuja in the Expo 92, HAND Linnaeus in Bohuslän (Sweden) in 1996, ENDLESS FLOW in Silkeborg (Denmark) in 2002 and RECOLETOS PROJECT (Christmas Lighting Paseo de Recoletos, Madrid, 2004) and as ephemeral intervention: AROUND THE CLEAR (El Corte Inglés, Calle Serrano, Madrid, February 2008).
Currently under construction EAR SPEAKER to be located on the right bank of the Ebro in Zaragoza.
She taught at the Faculty of Fine Arts of Cuenca in the first eight years after its founding and has given courses and lectures in Schools of Fine Arts
Spain, Sweden and the USA, at the Museo Thyssen Bornemisza (January 2006) and soon in the summer courses at the Universidad Rey Juan Carlos in Aranjuez (July 2008)
Until June 21 you can see one of his latest projects, "World.
Seco.
Benamor.
Amarga "in the room Verónicas of Murcia.
In this lecture series offers a lecture called "How boxers ..." where submitted for consideration by the changing relationship between text and image through examples of works of contemporary art.
This will set a scene in which the boundaries between disciplines are dissolving and the complexity of the considerations is multiplied, showing how today it requires a rethinking of many assumptions about the text and image.
Conferences Much more in May Festival, entitled "Stress, emotion and magic.
Sensory perception and artistic practice "is of an informative nature and is made with sensory and intellectual resources to serve the interests of an audience restless and curious about the vast field of contemporary art practice.
We have chosen as a connection point tension, emotion and magic as important elements of sensory perception and artistic practice.
Our relationship with the world and the others make it through the senses and at the same time human acts are acts emotional.
Sensory experience, even the seemingly epidermal, can be very deep (Valery) but also unstable (Eva Lootz), and always linked to emotional effects, subject to the possibility of manipulation.
Review from very different perspectives tension between perception and artistic practice in contemporary art is the subject of the cycle this year we have invited many different artists and researchers with whom to share their thoughts and experiences in acts that transcend mere intellectual dimension into the world of feelings and emotions.
On Tuesday, 12 will have Javier Panera, which is a known critic and is the director of DA2 Salamanca, with his lecture "I cry because I feel like it!" Emotions as a weapon of resistance, we will understand the importance of emotion in works of art.
On Wednesday, 13 continuremos with Magomigue and Juan Cabrera, who from an unusual conception of what it means to "conference" will make us question the prestige of art that can not be explained from the conventional theory of art, which should serve to terms such as magic or illusion to explain it better.
We continue on Thursday 14th (20.00 pm Conference Room of the Roman Museum) with Miguel Alvarez, who is a sound artist, musicologist, critic and curator of sound projects of the most important of our country.
And discovery as when the sound is something, there is a conflict between the temporal and spatial and it is precisely this tension that continues to fuel the current practice of sound art.
On Friday 15 we conclude with Miguel Angel Montilla, which is a component of the Theater of the Senses and will explain how sensory theater is a poetic expression involving the senses and emotions of the viewer as the protagonist of a personal experience, unique and unrepeatable.
All lectures of the cycle take place from Monday to Thursday at 20.00 h.
and Friday at 19.00 h.
In the hall of the Teatro Romano
Source: Ayuntamiento de Cartagena
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