Portal de Cartagena
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Municipal exhibition halls have also been linked to the celebration of International Women's Day, March 8, with two exhibitions and a talk.
Thus, among the events planned to commemorate Women's Day, the author offers Mabel Martinez on Thursday March 5 chat 'Gender, Body and Culture' and then will open his photo exhibition and video installation 'Nothing is permanent' to forms an intimate shows where he makes a profound analysis of the feminine.
The exhibition will be up from March 5 on 29 April.
This event will take place in the Byzantine walls, at 17.30 hours the chat conversation, and 18.30 hours, the opening of the exhibition.
In addition, on Friday, March 6 will be inaugurated in the historic photo exhibition: Women, first half of the twentieth century 1900-1950.
This exhibition is produced in collaboration with the CEHIFORM (Photographic Historical Center of the Region of Murcia) and its photography collection.
The exhibition will feature photographs of Pedro and Los Menchón Tani.
The inauguration will take place at 17.30 hours at the Palace will be open later Molina and 10.00 to 13.30 and from 17.00 to 20.30, except Sundays and Mondays.
PEDRO Menchón
(Lorca, 1875-1955)
Pedro Peñas Menchón photography begins in the hands of José Rodrigo, who, from his youth, worked as an assistant in his studio.
In the early twenties, after his master died, he inherits the study and much of his work.
From that time made a lot of pictures and social stories, making it, over time, one of the most significant filmmakers of the town.
This period coincides with a photo of Peter Menchón greater presence on the street, so that his work is a daily lorquina social life of the period, in which women are amply represented.
Precisely, your job becomes witness to the changes and transformations of their fellow citizens.
His work is designed with cleanliness and good master, to be an important documentary work, both in the images of a social as in the urban story.
Like Joseph Casau in Cartagena, Pedro Menchón represents the collective memory of Lorca at the time that he had to translate.
He was a regular contributor to the provincial press and national publications such as Black and White and ABC.
His work is preserved in the Municipal Archives of Lorca (File Menchón-Rodrigo).
LOS TANI
Estanislao Pérez Ripoll (Yecla, 1887-1962)
Estanislao Ripoll Diaz (Yecla, 1919)
Estanislao Pérez Ripoll begins in the world of images in the early twentieth century, coinciding with his military service in Melilla.
On his return to Yecla, 1910, is installed as a photographer in the city.
It is in the backyard where he improvises a study that serves to immortalize all yeclanos.
In 1928 stretches its production and photo gallery opens in the neighboring town of Villena, which serves two days a week.
Its activity is framed as a photographer in a portrait of study, as well as social work and landscape issues, performing a series of photographs of Yecla in order to produce as postcards-works that are published by Heraclius Fournier.
His son, Stanislaus Ripoll Diaz, joined the meeting very young photo assistant work with his father.
In this sense, deals with the various tasks that the job required at all times.
By 1936, Tani decided to combine this work with his departure to study abroad and photograph the countryside and the city.
All this is intended to represent the different environments that occur in these spaces.
Thus the work begun by his father has continued in its exercise.
Undoubtedly, Tani, as popularly known, form the most significant exponent of the historical legacy of Yecla.
Among women production occupies an area of great interest, being represented at all stages of society.
Source: Ayuntamiento de Cartagena
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