Inhabiting the footprint is exposing Sonia Navarro that houses the Town Hall until 26 November.
Born in Puerto Lumbreras, the artist shows the project that emerged in Rome two years ago and which was based on the city itself as a physical support on the overlap of archaeological strata up a kind of wall prints visitors.
The pieces developed in the project to the Sea of Music sought to capture that summer tours of persons other city, Cartagena, who shares a past with Rome, an urban structure and the wall that hides fingerprints subsoil.
But once the project check ride, he turned the plane to deepen one's experience through the experience of others.
Crosstalk, or Mapping Offside are some of the pieces in this collection that were opened last Thursday, day 2 Vivid colors of different color ranges, shapes, lines and materials of various kinds come together in this project that grabs the viewer.
One of the most striking works is Rome, composed of about a dozen snapshots in the Italian capital black contrasting with touches of color and white. Way visitors can enjoy some of the most popular scenarios in this city in 1890 as the Via del Tritone, Piazza Venezia and the Castle of Sant Angelo.
Wood, iron, felt and paint star in another major pieces in this collection.
Based on the theoretical approach, the trace, which thus become since Jacques Derrida watched as a disquisition about the notion registration form with the structure of a radical questioning of different metaphysical concepts of origin and full meaning.
Confrontations between ontological presence and absence or life and death, for the assimilation of the basic concept from the perspective of the French author, are a starting point from which a story running in various directions is constructed.
In fact in the exhibition are two focal centers on convergent ideas that are based on the appropriation of the physical image of the city through the images of a vanished Rome, photographed by Alinari Brothers and reinforce the idea of presence-absence.
After looking at the artist's own formative experience and emerge references to the pillars on which its aesthetic discourse is built.
Hours: Tuesday to Friday, from 10.30 to 13.30 and from 17.00 to 19.00.
Saturdays from 10.30 to 13.30 hours and Sunday from 10.30 to 13.00 hours.
Source: Ayuntamiento de Cartagena