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Jorge Sanz, Mar del Hoyo and Pablo Puyol star in the stage version of Perfect Crime in Hitchcock Auditorium The Batel (19/01/2012)

The Auditorium and Convention Center Friday morning the boat opens its doors January 20 to the theater, and Jorge Sanz, Mar del Hoyo and Pablo Puyol will be the first actors to climb to the tables of the new auditorium to stage Cartagena the stage version of the Hitchcock film, Perfect Crime.

The work is scheduled by the Department of Culture of the City of Cartagena.

Function, at 21:30.

Tickets are 22, 20 and 10 Euros.

In 1954 Alfred Hitchcock film led to the play by English playwright Frederick Knott called Dial M for Biting, titled Perfect Crime in Spain, now honors the film Victor Conde up to stage a film set will be morning in Cartagena.

This production, starring Jorge Sanz, Mar del Hoyo, Pablo Puyol, and Jose Antonio Sanchez-Albella Orosa, after a change in the female performer, originally was starring Elena Furies.

Cartagena has now reached after covering nearly all over the country on an extensive tour.

Perfect Crime is a classic and one of the most popular titles of the most famous filmmaker of all time, Alfred Hitchcock.

It's Hitchcock's hand when the work takes a universal role, not only in film but also as a visual icon of an era and a style of cinema.

The stage version in 2011, contains the universe hitchconiano iconic poses on stage and as a tribute, recreation, and above all, by way of narrative language.

We have proposed a staging where the story is told through cinematic language where their codes Alfred Hitchcock and his particular way of understanding cinema, narrative, colors, clothing, women, are the vehicle through which the viewer not only revive a style, but to discover how to understand a theatrical staging based on that language until now own an exclusive and very special film.

Fleeing projections, our intention has not been at any time the viewer to sit in front of a screen and thus imitate the movies.

Our proposal is purely through language theater scene recreated in this form of filmmaking.

The travel from largest to smallest, the spy story through a wall, the subjectivity of the camera in front of the different characters, detailed plans, plan changes, the movement of the camera to travel through the emotions of the characters have we made a proposal where scenic tricks and traps bring classical theater to serve a purely cinematic narrative form.

Always respecting and highlighting some way, enlarging, the romantic image that the mention of the title evokes.

All these resources of the cinema have worked for had their dramatic response, their way of being represented on the boards.

Hitchcock studying each dipping into his universe, as to understand the story.

Always putting in place the teacher, find out how he wanted to tell the story ¿

Source: Ayuntamiento de Cartagena

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