Portal de Cartagena
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It is no exaggeration to say that McCoy Tyner has shaped modern jazz.
His piano-based blues, full of sophisticated chords and an explosive left hand has transcended conventional styles to become one of the identified sounds in improvised music.
Jazz Festival comes to Cartagena vocalist José James accompanied by saxophonist Chris Potter and to honor these revered songs where Johnny Hartamas put voice to the creations of John Coltrane.
It will be tomorrow Saturday, November 18, when they also act Madeleine Peyroux, one of the greatest vocal talents of today.
Standing on the Rooftop, the disk is to submit to the Cartagena Jazz Festival, is the second installment as a composer that highlights some superb versions that makes Peyroux Martha My Dear by The Beatles, Love in Vain Robert Johnson and I Threw It All Away from Bob Dylan.
Double bill at the Auditorium El Batel, from 21:30.
The price of seats is 25, 20 and 18 euros.
Often compared to the great Billie Holiday by the similarity of her timbre and phrasing shy, Madeleine Peyroux (U.S., 1973) is one of the greatest vocal talents of today.
American born and raised in Paris, a few figures as special as the story of Madeleine Peyroux in the world of music.
After stroking the sweetness of success with his first release for Atlantic Records 15 years ago, Peyroux disappeared literally ¿map for nine years.
The rest is almost history and has the name of three albums, Careless Love and Half the Perfect World Bare Bones.
Bare Bones was Madeleine's first album composed almost entirely of original compositions, and Standing on the Rooftop, the disk is to submit to the Cartagena Jazz Festival, is the second installment as a composer.
A more mature and targeted delivery, stylistically somewhat broader and certainly superior in terms of cohesion and variety of vocal ranges of the unparalleled Peyroux.
Here live pop, folk, rock, blues and jazz without complexes.
Goosebumps ballads and guitars that are close to classic rock.
Jazz returns to the thread and the voice of Madeleine without a doubt the most personal and distinctive feature of an album that is destined to be referential in his discography.
Therefore hear in Cartagena superb versions that makes Peyroux Martha My Dear by The Beatles, Love in Vain Robert Johnson and I Threw It All Away Bob Dylan.
A delicacy.
McCoy Tyner (U.S., 1938).
His harmonic contributions and their mechanisms has shaped the rhythmic vocabulary of most jazz pianists.
was part of the R & B and jazz fertile early 50.
Since an early age his parents instilled a love of music.
The young pianist fell under the spell of the blues and very soon distinguished himself in the jam sessions organized his mother in a cosmetic store.
McCoy's decision to study piano was reinforced when he met the legendary bebop pianist Bud Powell, who was a neighbor of the family.
Another big influence was McCoy Thelonious Monk, whose penchant for percussion marked Tyner's personal style.
At 17, she met John Coltrane, which would change their careers.
Today, Tyner has released for sale over 80 albums under his name, has won four Grammy Awards, and was awarded Jazz Master from the National Endowment for the Arts in 2002.
Continue making their mark on new generations of improvisers, and yet captivating still modest and very spiritual.
Jazz Festival comes to Cartagena accompanied by vocalist Jose James and saxophonist Chris Potter to honor these revered songs where Johnny Hartamas put voice to the creations of John Coltrane.
Source: Ayuntamiento de Cartagena
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