Portal de Cartagena
www.portaldecartagena.com
There are records that are part of the history of popular music and certainly Legend of Time, Shrimp, is part of this category.
Thirty years ago the world of flamenco was revolutionized with this disc on Wednesday July 13th will be honored at La Mar de Músicas with Duquende and Silvia Perez, singing, guitar and Chicuelo Rafaela Carrasco dancing.
The concert, at 23.00 hours, has been transferred to the Torres Park Auditorium by the high demand in the purchase of tickets.
It costs 18 euros.
Also today, but the town hall square and 20.00 hours, the Italians act Nidi D'Arac.
Before becoming the myth called Camaron, José Monge Cruz was a blond boy who sang while he dreamed of becoming a bullfighter.
On July 2, 1992 left this world.
He did it in a hospital in Catalonia thousand kilometers from San Fernando, the city of Cadiz where he was born.
He was 41.
In his biography, Francisco Peregil says of him: He was an anvil, forge and spike, and billiards, hash, sandwiches, cocaine, foil, acids, and blond American snuff, Mercedes Benz, galas in America ....
Miguel Mora and José Manuel Gamboa wrote that his art mixed rigor and imagination, classic and tenderness, revolution and power, wisdom and instinct.
And as a singer lacked nothing: he had a prodigious pitch all-Heard, taste and transmission, a unique musicality and an unmistakable voice.
Then there was his courage to take risks, invent and break new ground: no limits.
In 18 discs and 200 songs have been recorded man's voice saying the song is ours, the singing is of the Roma or from whom I learned I actually was the old.
The poet and flamenco Carlos Lencero, author of a biography of shrimp, wrote The Legend of Time: There is only one of the best flamenco albums sung and played, but also a powerful experience.
Putting together a jazz-rock formation with Shrimp, who did not speak to say good morning, and also introduce a number of poets in his letters, was to break the mold.
The cover: a photograph that makes Mario Pacheco of shrimp with a beard and long hair and a cigarette in the corner of his lip.
Ricardo Pachón production Camarón y Tomatito surrounding drum, guitar and electric bass, keyboards, flute, sitar ...
There are, in the old studies Philips Avenue of the Americas, Raimundo Amador, Gualberto, Jorge Pardo, Rubem Dantas, José Antonio Galicia and Antonio Moreno, Manolo Rosa Marinelli brothers, Joe Rock, Joe à ‰ bathroom and palms Guadiana, Manuel Soler, Enrique Pantoja, Carmen Heredia and Ramón Jiménez.
In 1979, all of them left their names in history.
The groundbreaking album - Sgt Peppers flamenco, as defined by some, including bambera time of trouble gives title, bulerias Romance of the bitter, Homage to Federico and Old World, a canteen - My daughter went to sea - the joys of Cadiz Bay, Tangos de la Sultana ¿Nana big horse, La Tarara and rumba Volando voy.
With the guitars of Paco de Lucia, Tomatito, Camarón marked a before and after.
With the son of Lucia in 1969 and with 18 year old, recorded his first album as a couple.
Ten years together until Tomatito took over in the legend of the time.
According Lencero running various versions of the first meeting between Camarón and Paco de Lucia. One reads that matched at a party and Paco Cepero became the guitar, not wanting to play for him.
Shrimp are caught then a rebound, grabbed the guitar and said, 'Do not bother me which I'll play.
Another account that, one drunken night, messed up to play at home Parrilla de Jerez and there came that love at first sight.
Enrique Montiel, Ricardo Pachón producer of In the sale of Vargas, recorded at La Isla, in the place where he started singing when she was 17 shrimp, says the myth is alive and, as in the case of Gardel, every day sings better.
It's a myth that feeds.
When you summarize the history of music in its different styles, centuries purged and filtered to large.
Shrimp And be there.
The legend of time presented in Cartagena is produced by the Taller de Musics in Barcelona, ​​which recreates the cutting disk and adds songs composed specially for the show.
At the helm, the guitarist Chicuelo, Juan Gomez, who has Duquende, and nobody better for this tribute that the singer from Sabadell.
With Silvia Perez Cruz is Duquende The voice of the crumbs, and, for dancing, Rafaela Carrasco.
NINI D'ARAC
These Italians were allowed to see (and hear) in the Womex are included on the posters of the Womad and just perform at the Montreux Jazz Festival.
Ian Anderson, director of Folkroots, dedicated lines are very encouraging in his magazine.
The Nidi D'Arac participated in Notte della Taranta Does what were opening for Simple Minds and Robert Plant.
Son of Italy's southern heel of the boot, the region of Apulia (Puglia in Italian), which left their mark Greeks, Romans, Goths, Lombards, Byzantines, Normans, Turks, Spanish or French.
From the beginning, have dug in the musical traditions of their land, work songs and love with electronic resources.
Verifiable records as St.
Rocco rave or Taranta ¿s container, released in 2010 with new recordings of previously released songs, closer now to the atmosphere of the concert, and if appreciable cerchio Cerchio if Stringer, Vinicio Capossela.
They are together since 1998 and, as we read in the program of Montreux, the proposal would be a kind of ethnic musical rave in the old scores of pizzica merge into digital trance rhythms, contemporary vision of the rhythms of the tambourine Salento used, with the invaluable help of St. Paul against the bite of the tarantula.
Spiders aside, music for dancing and partying is offered by this versatile band led by Italian Alessandro Coppola, Lecce, singer, guitarist and panderetero.
With it, the accordion Claudio Prima, dub master Daniele Tortora, Targa Edoardo bass, violin Elena Floris, Filippo Schininà percussion and voice and choreography by Vera Di Lecce.
The idea that guides Coppola, which began in punk and rockabilly, to interpret the past in Italy and the traditional music the way they perceive their younger compatriots culture today.
Source: Ayuntamiento de Cartagena
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