Portal de Cartagena
www.portaldecartagena.com
10:30 H.
La Mar de Letras.
CIM Polytechnic University of Cartagena.
Course: Overview of Current Literature.
Dr. Ms. Belén Hernández González: Italian Poetry Now.
11:00 H.
La Mar de Arte.
Autopsy Pavilion.
Press conference of the exhibition "Eros or Barbarism" LSC, La Strategia Corp, courtesy of T20.
12:00 H.
La Mar de Arte.
Ramón Alonso Luzzy Cultural Center.
Parade of "Paint and Paper" Khet Pesce.
Courtesy of Magda Bellotti, Massimo Carasi.
Exhibition in collaboration with the gallery Massimo Carassi The Flat, Milan, Italy.
18:00 H.
La Mar de Letras.
Hall of the Palace Molina.
Narrative Workshop: "On board della Fiction" to cargp Fabio Geda professor in the Creative Writing Workshop Holden School in Turin.
19:00 H.
The Sea Film Festival.
Nuevo Teatro Circo.
Projection of the Italian film "Novecento Part 1."
20:00 H.
La Mar de Letras.
Hall of Caja Murcia.
Antonio Arch (journalist and professor at the School of Journalism Murcia) presents Fabio Geda and his book "In the sea there are crocodiles."
20:00 H.
La Mar de Músicas.
Plaza del Ayuntamiento.
Nidi Concert D'arrack.
Released in Spain.
Free.
22:30 H.
La Mar de Músicas.
Auditorio Parque Torres.
Concert "Camarón, the legend of the time."
Duquende and Silvia Perez, Chicuelo, Rafaela Carrasco and a seven-piece banana.
In collaboration with the Institut Ramon Llull.
18 euros.
La Mar de Músicas
D'Nidi arrack (Italy)
These Italians were allowed to see (and hear) in the Womex are included on the posters of the Womad and just perform at the Montreux Jazz Festival.
Ian Anderson, director of Folkroots, dedicated lines are very encouraging in his magazine.
The Nidi D'Arac have participated in 'La Notte della Taranta' and have been opening for Simple Minds and Robert Plant.Son of southern Italy's boot heel, the region of Apulia (Puglia in Italian) where they left their footprints Greeks, Romans, Goths, Lombards, Byzantines, Normans, Turks, Spanish or French.
From the beginning, have dug in the musical traditions of their land, work songs and love with electronic resources.
Verifiable records like 'St.
Rocco's rave 'or' Taranta container ', released in 2010 with new recordings of previously released songs, closer now to the concert atmosphere and with' Cerchio if appreciable cerchio if string ', Vinicio Capossela.
They are together since 1998 and, as we read in the program of Montreux, the proposal would be a kind of 'rave' ethnic music in which old scores 'pizzica' merge into digital trance rhythms, contemporary vision of the rhythms Salento of tambourine used, with the invaluable help of St. Paul against the bite of the tarantula.
Spiders aside, music for dancing and partying is offered by this versatile band led by Italian Alessandro Coppola, Lecce, singer, guitarist and panderetero.
With it, the accordion Claudio Prima, the dub master 'Daniele Tortora, Targa Edoardo bass, violin Elena Floris, Filippo Schininà percussion and voice and choreography by Vera Di Lecce.
The idea that guides Coppola, which began in punk and rockabilly, to interpret the past in Italy and the traditional music the way they perceive their younger compatriots culture today.
"Camarón, the legend of the time."
Minera La Mar
Before becoming the myth called Camaron, José Monge Cruz was a blond boy who sang while he dreamed of becoming a bullfighter.
On July 2, 1992 left this world.
He did it in a hospital in Catalonia thousand kilometers from San Fernando, the city of Cadiz where he was born.
He was 41.
In his biography, Francisco Peregil says of him: "It was an anvil, forge and spike, and billiards, hash, sandwiches, cocaine, foil, acids, and blond American snuff, Mercedes Benz, galas in America ...".
Miguel Mora and José Manuel Gamboa wrote that "his art mixed rigor and imagination, classic and tenderness, revolution and power, wisdom and instinct. And as a singer lacked nothing: he had a prodigious pitch-perfect pitch-flavor and transmission; unique musicianship and an unmistakable voice. Then there was his courage to take risks, invent and break new ground: no limits. "
In 18 discs and 200 songs have been recorded man's voice saying "the singing is ours, the singing is of the Gypsies" or "me from whom I learned it was actually the old."
The poet and flamenco Carlos Lencero, author of a biography of shrimp, wrote about 'The Legend of Time': "Not only is one of the best flamenco albums sung and played, but also a powerful experience. Putting together a jazz ensemble rock with Shrimp, who did not speak to say good morning, and also introduce a number of poets in his letters, was to break the mold. "
The cover: a photograph that makes Mario Pacheco of shrimp with a beard and long hair and a cigarette in the corner of his lip.
Ricardo Pachón production Camarón y Tomatito surrounding drum, guitar and electric bass, keyboards, flute, sitar ...
There are, in the old studies Philips Avenue of the Americas, Raimundo Amador, Gualberto, Jorge Pardo, Rubem Dantas, José Antonio Galicia and Antonio Moreno, Manolo Rosa Marinelli brothers, Joe Rock, Pepe Ebony and the palms of the Guadiana Manuel Soler, Enrique Pantoja, Carmen Heredia and Ramón Jiménez.
In 1979, all of them left their names in history.
The revolutionary record - 'Sgt Peppers' of flamenco, as defined by some, including bambera time of trouble gives title, bulerias 'Romance of the bitter', 'Homage to Federico' and 'Old World', a canteen - 'My daughter went to Mar'a-joys' Bahía de Cádiz', 'Tangos de la sultana', 'Nana big horse', 'La Tarara' and the rumba 'Volando voy'.
With the guitars of Paco de Lucia, Tomatito, Camarón marked a before and after.
With the son of Lucia in 1969 and with 18 year old, recorded his first album as a couple.
Ten years together until Tomatito took over in 'The Legend of Time'.
According Lencero running various versions of the first meeting between Camarón and Paco de Lucia.
"One says that a party agreed that Paco Cepero became the guitar, not wanting to play for him. Then it caught shrimp a rebound, grabbed the guitar and said," Do not bother me that it will touch me. "Another account that one drunken night, messed up to play at home Parrilla de Jerez and that there did that love at first sight. "
Enrique Montiel, Ricardo Pachón producer of 'In the sale of Vargas', recorded at La Isla, in the place where he started singing when she was 17 shrimp, says that "the myth is alive and, as in the case of Gardel , sings better every day. It's a myth that feeds. When you summarize the history of music in its different styles, centuries purged and filtered to large. And Shrimp will be there. "
'The Legend of Time' that occurs in Cartagena is produced by the Taller de Musics in Barcelona, ​​which recreates the cuts on the disc and add songs composed specially for the show.
At the helm, the guitarist Chicuelo, Juan Gomez, who has Duquende, and nobody better for this tribute that the singer from Sabadell.
With Silvia Perez Cruz is Duquende The voice of the crumbs, and, for dancing, Rafaela Carrasco.
The Sea Film
Novecento (1900.1976, Bernardo Bertolucci) 314 '
PLOT 1900, on a farm in northern Italy, born on the same day the son of a landowner and the son of a bracero.
The film chronicles the life of both and their families for eighty years.
The friendship of the protagonists will be clouded by their different attitudes towards fascism.
Famous drama that makes a complex political and social journey through the twentieth century Italy.
The Sea Art
Khet Pesce "Paint and Paper"
A Khet Pesce (Rome, 1980) likes two things in particular: errors and paper.
Mountains of paper impregnated with these errors to the limit, in which works of art and traditional painting styles are available to the artist waiting to be exploited and recycled.
Thirty years ago, the artists found themselves in a similar situation, Arthur C.
Danto rightly defined as "post-historical."
The difference today is that this "post history" is defined under a modern "Ipodización" of culture that, far from favoring a linear classification of art history and tradition, has become a systematic cataloging (from jobs) by gender and similar to the "playlists" of IPOD.Por So an artist like Pesce Khet would not exactly be an artist, "post-historical", but rather lies "beyond history" whose work past and present are contemporáneos.Al see their work reflects their interest in the works of Baselitz, Basquiat and Twombly, but play the role of a painter refused naive amateur or a savage or neo-expressionist maudit.
In fact, Pesce is spontaneously similar to his work and his person is not very different from the subjects or cartoon represents.
Most surprising is that there is nothing flamboyant or unnatural in what he creates.
His attitude, without any premeditation, is pure grunge than punk, grunge disjointed form, purged of the waste of history, but more ironic and communicative orientation.
LSC Strategia Corp. The "Eros or barbarism"
Eros or Barbarism is a mixed media installation with different proposals La Strategia Corp. (LSC-Alejandro Pedregal / Alberto Cubas) around the issues in the Greco-Roman deepen the difficulties to integrate socially instinctual drives of any creative (Eros).
This work draws on the seminal work of Herbert Marcuse's "Eros and Civilization" and the dichotomy has been between "civilization and barbarism" in Christian culture, thus offering a radical view on a central question: how possible to integrate these impulses of Eros in the construction of Civilization?. The system consists of several parts.
On the one hand, a photographic triptych of assembly uses Greco-Roman myths and Christians to expose the irony of the original germ of the instinct of creation and destruction.
Two other pieces, a photographic and other pictorial turn to contemporary iconography to suggest certain constants in the aesthetics and ethics, and ultimately in politics, always with reference to the Italian scene.
The centerpiece of the installation is a sculpture that traces the bridge goes fascist Italy and contemporary reference to the "continuous profile of Mussolini" by Renato Bertelli.En the work, present policy of mass culture and Italian is a starting point that sinks into the historical paradigms and contradictions of Western culture, bathed in glory and virtue such as blood and moral corruption, thus offering its most perverse can live without that Eros Thanatos, without the Barbarie illustrating the genesis of all civilization?
The Sea Lyrics
Narrative Workshop Session 2 "A board della Fiction".
Fabio Geda
Fabio Geda is known for his novels and for his collaboration in media such as La Stampa and for his work in the field of educación.Geda has won awards such as the Via Po, Maris Ginzane Rusconi or Cavour.
Holden is also a professor in School (creative writing workshop created by Alessandro Baricco). There are crocodiles in the sea (2011) was his first book published in Spanish.
"Is the story of the experiences of Enaiatollah Akbari, a boy born in Afghanistan, with only 10 years old, suffered from not belonging to the ethnic majority and a member of a family threatened by the Taliban regime .
Source: Agencias
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