Portal de Cartagena
www.portaldecartagena.com
10:30 H.
La Mar de Letras.
CIM Polytechnic University of Cartagena.
Course Overview Current Italian Literature.
Dr. Ms. Belén Hernández González: Contemporary Narrative.
10:45 H.
La Mar de Arte.
Byzantine Wall Exhibition Hall.
Presentation and Exhibition Opening "suburb" of Botto and Bruno, with the presence of artists and the curator Arauna Oliva.
11:30 H.
La Mar de Arte.
Palace Hall.
Presentation and Inauguration of the exhibition "Architecture: Cities" of Grabielle Basilico, attended by Commissioner Oliva Arauna.
12:00 H.
La Mar de Letras.
Palace Hall of Molina.
Meeting with the Italian writer Fabio Geda.
18:00 H.
La Mar de Letras.
Palace Hall of Molina.
Narrative Workshop "Aboard della Fiction" by Fabio Geda, professor in the Creative Writing Workshop Hoden School of Turin.
19:00 H.
The Sea Film Festival.
Nuevo Teatro Circo.
Projection of the Italian film "The Leopard".
20:00 H.
La Mar de Músicas.
Plaza del Ayuntamiento.
Concert crumbs.
Free.
22:30 H.
La Mar de Músicas.
Auditorio Parque Torres.
Premiere and only concert in Spain Omara Portuondo and Chucho Valdes.
20 euros.
La Mar de Músicas
Omara Portuondo and Chucho Valdes.
(Cuba)
Omara says that long ago that wanted to return to recording together.
Had done in January 1997, in studies I hope to Havana, 'Challenges', an album funded by the Spanish producer Manuel Domínguez Nubenegra to his label.
And they've done it again now 'Omara & Chucho'.
The idea came up the thread when the pianist accompanied the singer in one of the numbers 'Thanks', the latest album by Omara Portuondo, who recorded another duet with Mary in Brazil Bethânia.Que Omara Portuondo returns again to the Sea Music is not a surprise but a promise that made him the director of the festival to the Cuban singer that each new project to record what could occur in Cartagena.
Promise fulfilled.
And here is the woman whose tears after singing 'Silence' with Ibrahim Ferrer at Carnegie Hall in New York, immortalized in the film Wim Wenders 'Buena Vista Social Club'. Mulata chancletera, is called a number of Lecuona and Galarraga, and and likes to call itself Omara, which debuted in 1948 as a dancer at the Tropicana where he worked since her older sister Haydee.
Omara had just turned 18.
Meetings sang bohemian and the first time presented at an amateur radio, the announcer announced it as "Miss Omara Brown, the girlfriend of feeling" because he sang English songs like 'Stormy weather'.
In 1950, and as a professional singer, joined the quartet Orlando de la Rosa.
And two years later would become part of an extraordinary vocal ensemble in the style of the quartets of American voices.
It was led by pianist Aida consisted Right and Elena Burke, Moraima Secada, Haydee and Omara Portuondo.
The success of D'Aida Quartet was notable in a Havana night by passing the likes of Nat King Portuondo and Chucho Valdes Cole.Omara been known since the days when Bebo Valdes led the orchestra Tropicana.
Already in the sixties, when Chucho was a fixture of the recordings of Egrem, among the many singers from the island who had to accompany, was Omara.
That Omara, which explains the piano, sometimes singing, sometimes he says, with which it shares on the new album sentimental classic song 'My Soul', 'This afternoon I saw rain' or 'You do not suspect. "
Almost two meters high for this giant of the piano called Jesus Valdes.
Bebo's eldest son, who started five years learning the secrets of the piano, gave birth a few months 'Chucho's steps', a bold album whose title is a reference to 'Giant steps' of Coltrane.
With nods to Gershwin and Cole Porter ("Begin to be good") and tributes to the Marsalis ('New Orleans') and Joe Zawinul (' Zawinul's Mambo ").
Afro-Cuban polyrhythms to an extremely complex music that the creator of the revolutionary Irakere has spent years carefully orchestrated in his head.
Until that time, he says, and not think, play.
Las Migas (Spain)
The crumbs are this dish in many parts of Spain which take advantage of leftover bread, but in the Murcia region are made with flour, and it is said that in the Christian territories of the peninsula, casting him pork bacon to distinguish it from the Arab and Jewish food.
Here are four girls Las Migas: Marta Robles, Isabelle Laudenbach, Lisa Bause and Silvia Perez Cruz.
And the dish is a flamenco sweet and refreshing, unorthodox, unusual.
Could even say that it is not so.
They have to come from the roots and add sounds of fado, tango, classical music, music of Eastern Europe ...
Silvia Catalan Palafrugell, calls the shots and the accompanying guitars French Martha Isabelle and Seville, and the violin, Lisa Berlin.
Silvia have been together for seven años.De Esteban Perez Cruz has written lines in La Vanguardia that "has been forged credit, fame and respect (...) Possessing frankly enviable vocal cords was born a (...) star. "
And Luis Die in The Journal says that "Silvia Perez Cruz is the most sublime and unique voice that Catalonia has so far this decade (at least!)."
At its headquarters in Barcelona Las Migas feed on his own compositions, the poetry of Garcia Lorca ("The path of the poets ',' Out of the sea ') and Alberti (Chanting and river'), and new talents like Javier Galiana Cadiz and Antonio Romero 'Chipirón'.
On the cover of their first album, 'Queens of smuggled' are the four carrying suitcases.
He published it last year New Media, the company recalled Mario Pacheco and produced by Raul Fernandez (Refree).
They were with them in the studio Raul Rodriguez, the son of Martirio, the Cuban tres, and Javier Colina with his bass.
Singing and playing traditional songs like 'The four mules',' The tangos of Repompa ',' La Tarara 'or the song of Carlos Cano María la Portuguesa'.
Tangos sound, joys, fandangos de Huelva ...
La Mar de Arte.
Botto e Bruno "Suburbs"
They have an irresistible tug-of tenderness peculiar and strange melancholy, almost bucolic, the work of homeless urban images that have been characterized, since its inception, the proposals of the two artists Turin Gianfranco Botto (1963) and Roberta Bruno (1966).
They say that those who were not born and lived in the suburbs of big cities, hardly accede to the poetic meaning and scope unique to these places that today are known as excluded from the metropolitan center and the periphery of the province.
Sites are characterized by the peculiarity of its architecture (factories and schools closed, buildings in ruins, abandoned level crossings), as well as the erratic condition of his figures (teens masked characters in the suburbs, including in this case the artists) and the promptings of your space thick (atmosphere of uprooting, ambiguous boundaries between built and open space) and the sky (red and violet colored clouds stormy, or in other cases, a dirty white ensabanados). These four elements are the iconographic repertoire of Botto & Bruno, working collaboratively since 1992, when they were students of the Academy of Fine Arts in Turin, in which extreme belt still live today, having already own site and growing demand in the international art network.
On this imagery made photomontages, the photocopy, the enlarged scale 1 / 1 on paper or PVC, and organize them facilities that occupy the space full of art galleries or halls of the Renaissance and Baroque palaces that sometimes the show.
The viewer feels weird, literally put these sets of marginalization-equipped with a prop of misery-outdoor scenarios introduced in areas of "high culture".
All this, accompanied by sound: a predilection for songs or punk rock group.
The shadow of the suburbs of Pasolini and Antonioni characters airtight plan on these facilities, which also returns to encourage the spirit of art "poor," a trend that originated in Italy with the support of the critic Germano Celant conceptual and consecrated urbi et orbi the exhibition dedicated to him precisely the Civic Museum of Turin in 1971.
They also agree, then, Botto & Bruno at the purpose of giving public voice to the voiceless, and to postulate "an art that, in essence, is anti-business, poor, trivial, and anti-formalist, involved primarily with the physical qualities of the medium with mutalibilidad materials and the total reality ", which interpreted its own form to the hard-a privately-without dodging the hard physical reason, to sublimate the intensity of poetry.
Art that testifies to the pain of our world, focusing on the use of different media ciudad.La, drawing, video, set up a highly suggestive work, in part thanks to the perfect adaptation of the environment to the needs of a work conceptually poderosa.En 2004 was the first time Botto & Bruno held in Spain one of the large rooms that have marked his meteoric rise after her appearance at the Venice Biennale in 2001 with a transformation of the entrance to the exhibition space of Corderie.
Presented recently in Spain, in 2007 the Gallery Arauna Olivia.
Gabriel Basilico.
"Architecture: Cities"
Gabriele Basilico is one of the best documentary photographers from Italy and the most recognized internationally.
His work, closely linked to architecture and the city is a journey through the different cities that the artist has been touring for years: Milan, Berlin, Beirut or San Francisco.
Graduated in 1973 from the Faculty of Architecture at the Polytechnic of Milan, from his early work reflected the changes in the urban landscape.
"Photographer of the urban landscape" and "photographer architect" are two of the adjectives that often accompany Gabriele Basilico (Milan, 1944), whose work has been seen as a succession of "photographic journeys."
He has focused his work in making a peculiar commentary on architecture, urbanism, growth of cities and especially to its transformation, its movement, its diversity.
Away from the topical images and fashion models, their proposal, personal and risky, is the difficulty for many who ventures into the urban landscape but it does so voluntarily images that play with the post-Romantic aesthetic heritage and those who are content to praise the findings of contemporary architecture, shapes, materials and scale.
The excellent technical quality, joins a domain Basilico total possibilities of the medium, a very precise eye when addressing architectural issues, and a surprising and unusual knowledge of the key architecture, which allows you to discuss seamlessly with today's leading architects .
The peculiarity is its tendency to dwell on the hopeless kind of confusing moments of anonymity, mixture, representing the outskirts of the city, these outputs will soon be the center of the city.
Images almost interchangeable, which we identify as part of the growing cities, they become subjects of his photographs: ghostly modern buildings, as they grow their sidewalks and streets built, but viewed from the back appear to be emerging from the void, a wasteland wilderness estates of terraced buildings, on steep slopes, tiny buildings with skyscrapers.
Moments of shock and contrast, typical of Milan, Berlin, Trento, Oporto and Valencia, but also a historic city like Santiago de Compostela or imagine a landscape that is clean and cold as the Silicon Valley, the valley called the silicon the abundance of related industries with high technology, Basilico's photographs show us visually contaminated by wires, utility poles and wood materials specific to the sprawl of slums in cities tradicionales.Gabriele Basilico (Milan, 1944) is architect and documentary photographer.
By 1978, began his research on industrial areas of the city and in 1984 participated in the Mission Photographique the French government to document the landscape changes.
It has subsequently developed similar projects in different European cities.
His works can be seen today in museums around the world.
The Sea Film
"The Leopard" 1963, Luchino Visconti.
205 min
SYNOPSIS.
Film based on the novel by Giuseppe Tomasi di Lampedusa (1958).
Is the time of the unification of Italy around the Piedmont, whose architect was Cavour.
The action takes place in Palermo and the main characters are Don Fabrizio, Prince of Salina, and his family, whose lives are changed after the invasion of Sicily by Garibaldi's troops (1860).
To get away from the riots, the family takes refuge in the lodge that owns Donnafugata.
Move to the place, as well as Prince's wife and three children, the young Tancredi, the favorite nephew of Don Fabrizio, who seems to sympathize with the liberal movement of unification.
The Sea Lyrics
Narrative Workshop Session 1 "Aboard della Fiction".
Fabio Geda
Fabio Geda is known for his novels and for his collaboration in media such as La Stampa and for his work in the field of educación.Geda has won awards such as the Via Po, Maris Ginzane Rusconi or Cavour.
Holden is also a professor in School (creative writing workshop created by Alessandro Baricco). There are crocodiles in the sea (2011) was his first book published in Spanish.
"Is the story of the experiences of Enaiatollah Akbari, a boy born in Afghanistan, with only 10 years old, suffered from not belonging to the ethnic majority and a member of a family threatened by the Taliban regime .
Source: Agencias
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