Portal de Cartagena
www.portaldecartagena.com
The Brazilian singer and composer Maria do Céu mixing modern beats with traditional samba to create a fresh sound, sexy and different that drove to the top of the list of U.S. magazine Billboard.
Caetano Veloso said she is the future of Brazilian popular music, but to this artist known simply as Céu, does not care about labels.
Céu, which means heaven in Portuguese, is more concerned about finding inspiration in the urban jungle of Sao Paulo, the rap of the streets and traditional Brazilian music to compose his music, an electro-jazz that incorporates soul, afro beat and samba .
Sao Paulo is the place that gives you the inspiration to compose music with lyrics urban.
Open the scenes of the old cathedral in La Mar de Músicas, on Monday 12 July at 22:30 hours.
Tickets cost 12 Euros.
In the late nineties CeU lived in New York and says that the city inspired him to write his own lyrics.
In the Big Apple met Antonio Pinto [creator of soundtracks for the films 'Brazilian Central Station' and 'City of God'], who first spoke of a musician from São Paulo, Beto Villares, who would become the producer of Brazil's first album.
'Céu' was published earlier in France than in Brazil and Paris media started talking, and well, this young singer-songwriter called Céu (heaven, in Spanish).
Gallic endorsement helped trigger interest in the work of the Brazilian then had U.S. distribution.
In an interview published in the now defunct U.S. magazine Global Rhythm, Maria do Céu Whitaker Poças explained the process: "I wanted to find my own sound as he was aware of my various influences. And I wanted to create a kind of underlying unity among them."
Walked around all that had been absorbed, from Jobim, Villa-Lobos, João Gilberto or Moacir Santos to the afrobeat, hip hop, Erykah Badu, or Jurassic 5.
All compositions were the work of an imaginative except Céu version of 'Concrete jungle' by Bob Marley, and "O ronco da Cuica", a song that Joao Bosco and Aldir Blanc wrote in the seventies.
His second album, 'errant', the translation of the title would be 'quiet relajada', "opens with voice-based samba and cavaquinho, but is filled with hints of soul, trip hop, electrolounge, psychedelic .. .
Fleet in its courts the impression of a subtle teamwork: organic production Céu shares again with Beto Villares, and Gustavo Lenz and Gui Amabis.
The critical missed Charlie Gillett, who are not characterized by love of Brazilian music, yet granted four stars out of five to 'errant'.
"I think my music speaks and thinks about what life is like today in São Paulo."
Own universe from the urban, cosmopolitan culture of the megalopolis in which Céu grew.
"In Brazil we are trying to create new sounds so it's an exciting time for us."
BRIN
It is not often get a band from Slovenia.
Although Brina has been before in Spain.
His promoter then presented with the slogan 'The musical seduction of Slovenia. "
Already been allowed to see the Womex held in Seville.
It was the second time that a Slovenian artist, the former had been in 1995 with Vlado Kreslin-contained in the poster for the exhibition of world music.
In 2006, his album 'Pasja legend' (The legend of a dog)-the first, 'Mlado leto "(The year younger), was published two years before, was among the ten most valued of the World Music Charts Europe which was also new to music made in Slovenia.
The late Charlie Gillett was highlighted as one of the top six best albums of 2006 and chose 'Poljanska ballad' song of the year.
The group was formed in 2003 and takes its name from the multifaceted Brina Vogelnik, a young Ljubljana to his grandfather and his mother passed on their knowledge of traditional music.
In his official biography has the girl from a family of well known artists in the capital and became a designer of visual communication.
Actually came to the stage participating in dance with masks and puppets and has worked in children's series broadcast on national television.
Short creative with clay made with stop motion animation technique, is to appear static objects moving through a series of successive still images, received an award for his video for 'Mlado leto'.
The Englishman Andrew Cronshaw wrote in his review of 'Pasja Legend' for the magazine fROOTS: "Slovenia belonged to Yugoslavia, but in no way Balkans, nor is his music. And, by their geographical location and its history as part of the empire Austro-Hungarian musical roots are rather diffuse. "
Brina those are songs about unrequited love, maidens sing and dance in the summer solstice, the cruelty of the stepmother of an orphan child or the snake turned into a prince to be played by a young man.
THE SEA OF CINEMA.
Method of Losing
Director: Sergio Cabrera.
Writer: Jorge Goldenberg (Based on the novel by Santiago Gamboa).
Year: 2004.
Country: Colombia.
Duration: 105 minutes.
Producer: Gerardo Herrero, Tomas Dario Zapata and Marianella Cabrera.
Photography: Hans Burmann.
Music: Xavier Capellas.
Mounting: Carmen Frías.
Interpretation: Álvaro Rodríguez, Fernando Solorzano, Martin Garcia, Daniel Gimenez Cacho, Cesar Mora, Victor Mallarino, Sain Castro, Jairo Camargo, Humberto Dorado, Mimi Lazo, Gustavo Angarita
Synopsis:
One morning, police discovered a horrific crime.
It is a body impaled on the banks of a beautiful lake near Bogota.
To resolve the case did the journalist Victor and his occasional partner Silampos ¸ The Emir clerk Estupiñán ° shall penetrate into the intricacies of a macabre story ° but also human and funny.
With the help of a young prostitute Quica ¸ ° and change in a few favors for the Colonel who is handling the case of our heroes, risking their lives, manage to get to the bottom of a huge plot of land speculation.
Corrupt politicians and businessmen, prostitutes, emerald, naturalists and reporters of all types complete the mosaic of characters.
Source: Mar de Músicas
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