A round schedule that shows the best current stage of Colombian cinema, which is composed La Mar de Cine, festival space La Mar de Músicas, which was released today by the Councillor for Culture, Rosario Montero, the organizer of the cycle, Joaquín Cánovas, and the director of the Cahiers du Cinéma Spain, Luis Crown, a publication that works for the third consecutive year the festival publishing a special 32-page booklet on it.
The most important perhaps is that the Sea Film is gaining in quality and number of followers, which, as noted Montero, has tripled in recent years, thanks to the relocation of the projection room, which the Center Cultural Luzzy Ramón Alonso has moved to Nuevo Teatro Circo, responding to demand from moviegoers.
PROGRAMMING "NY HOUSE PLAYERS
Two recent films have placed blow to the Colombian film mapping most vivid contemporary screens: Tours of the wind, Guerrero Circus, and the overturning of the crab, Oscar Ruiz Navia.
The two have drawn wide attention in many international festivals and exercise now, understandably, as the spearhead of an industry in which, not coincidentally, the symptoms of industrial revival of generational change and renewal are creative watching now, at least since 2005, ie from the moment that starts being felt the new film law of 2003, as suggested by the renowned Colombian historian Orlando Mora, manager of the programming cycle offered this year the Festival La Mar de Músicas with Joaquin Canovas, coordinator of The Sea Film.
Fifteen films and eight short films will be screened at the New Theatre Circus from Monday 12 to Saturday 24, at 19.00 hours free in the cycle.
This edition of The Sea Film screened on Saturdays.
The Film Ocean also will have this issue with the presence of the most renowned Colombian director Victor Gaviria film that comes to present his latest film addition and subtraction.
Gaviria and a director's film, writer, poet and writer.
One of the most internationally renowned Colombian filmmakers.
His three films have won numerous international awards and even two of them were part of the official selection at Cannes.
Gaviria in his work is recognized as reflecting the social reality of their country.
As is still common in recent editions of the festival, the prestigious magazine Cahiers du Cinema Spain has made a special film on the life cycle of La Mar de Músicas to be published next to the number of July and August issue.
It has helped many specialists Colombian film includes interviews with director Victor Gaviria and Louis Review.
Colombian cinema has achieved in recent years gained special recognition and international visibility was not available.
His appearance in first-class festivals such as Cannes last year wind travel Ciro Guerra, Toronto crab Overturning Oscar Ruiz Navia and Venice blood and rain Jorge Navas are clear indication that something is happening with cinema national.
That something has to do with the fruits that start producing the new film law of 2003 (the 814), the results can be located from the year 2005.
That is the reason for proposing a show that begins in that year and closed in 2009, in five years that surely will be remembered by historians as a key stage in Colombian cinema reference.
More S BEYOND THE TÃ "PEAK
This show includes films with their own aesthetic values, but are not limited solely to a personal cinema and author.
The list includes films with reasonable claims to enter into communication with the public, a way that a film like Colombia's fragile can not help but move.
Some of the films in the cycle is consciously deviate from the cliché that for years was gradually forged coast: many of the accomplishments that circulated Colombian festivals and, in some cases, were able to peek at the trading screens of other countries.
That cliché was closing in film production in Colombia in the suffocating triangle formed by drug traffickers, guerrillas and the army.
The search for other spaces coexists with other search reference, the new forms and narratives linguistically.
All this does not stop there films that reflect the daily lives of Colombian citizens such as the case of fictions such as those projected cycle Addition and subtraction (Víctor Gaviria), Dog Eat Dog (Carlos Moreno), Heart (Diego Garcia -Molero) Apocalipsur (Javier Mejía), Gabriel's Passion (Luis Alberto Restrepo), Blood and rain (Jorge Navas) or a paper tiger (Luis Comment).
Source: Ayuntamiento de Cartagena