Portal de Cartagena
www.portaldecartagena.com
Today has been known program coproductions Much More May with AADK SPAIN, the definition and locations have been working the guests these days artists and which were not made public due to specific caráctersite of these interventions.
AADK Spain is an international platform, located in Blanca, Murcia, generating a space for research and contemporary creation.
Spain AADK base is Black Center - where currently implemented various programs focusing on the process and experimentation.
The conceptual lines through all its programs are to explore the notions of body, spatiality and territory.
To mark the festival Much More May artists in residence AADK Spain this month, will carry out a series of proposals focused on the context.
Carlos Cartama (Madrid)
Phoenix dactylifera.
Installation:
Balcones Azules street with street Honda
The miraculous natural architecture of the date palms slowly disappears Mediterranean horizon.
This subject, like no other, can not escape the fate imposed by a society where no production has its days numbered.
This being that has inhabited the valley throughout the twentieth century and early twenty-first, Cartama presents just before being converted into raw material, and puts us in a place where we do not know if we are dealing with a subject or an object .
In a city full of archaeological sites and undermined by patrimonially protected buildings, the presence of this recumbent body asks us about our violent relationship with the natural environment and questions the conventional criteria of heritage conservation.
Sergio Sotomayor (Murcia)
White # 01- Virtual Reality
Temporary Living Museum of the Roman Theatre.
Sergio Sotomayor explores the immensity of the virtual world.
This medium is a metaphor for the infinity of the universe and the huge range of possibilities that life offers.
If Sotomayor had been born in another era he would sculptor, but the son of the XXI century feel your tools can not be other than digital.
also located in this environment the possibility of creating pieces that continue to change, to navigate in 3D, the work is still alive, generating performativity in those approaching it.
This particular work is an immersive experience whose referent is the particular architecture of Blanca, which caught the attention of the assembly Sergio was chaotic events -huellas materials, tests of time and human hand.
The world created here is made up of small urbanized islands, floating on a dark matter.
Black bubbles refer to atoms, always present in his work to remind us that things are always much more than what we see.
The predominance of white refers to light and power possibilities.
The lack of human presence, organic and unfinished buildings forms, doors and windows closed, creating an eerie atmosphere that brings us into suspended dreamworld in time where you do not know if you navigate after everything has happened or if everything is about to happen.
Paul Linsambart (Santiago de Chile)
Borders.
Painting - Installation (procesual Work)
Plaza de San Francisco 22.
Linsambarth Paul reflects on the identity and migration.
Make a triptych in which uses many references from art history to represent migration, migration and exodus.
Presents migration as one driven by the pursuit of a better life decisions, which often are thwarted expectations and where the chances of meeting the desires are strongly linked to the origin of the people, expressed in differences of class or race.
The exodus and forced abandonment of the place of origin, which uses the expulsion of Adam and Eve from paradise as the ancestral image of this event that history repeats itself over and over again.
In the part of larger format, which is presented is as ancient practice transhumance in which the movement was free and was closely linked to the land.
This part is crowned with three stereotypes of cultures that have shaped the town of Blanca and many other places, where an Arab, Hispanic and mestizo blowing winds that have shaped our modern societies.
Represent doors that open borders more or less easily to some than others.
Baird Conor (Glasgow)
The penetrated male.
Performance.
Hall Byzantine Wall
Saturday 28 at 18.30h
Conor body scans through the emotions that the hegemonic imaginary can occur in people who like him, do not assume a fixed assigned identity and that depends on something as random as the sex with which they are born.
.
Masculinity is often difficult corset dress.
El¿hombre¿ has somatizado based patriarchy an attitude and an image of impenetrable body.
But the body, regardless of gender, is a structure full of holes and these holes are gateways to life.
Through them comes the knowledge, essential for subsistence and many pleasures.
Since hearing pore holes, each hole allows a wealth of experience that the idea of ​​masculinity has skewed imposed.
Conor focuses on the body - their vulnerability, drives and dependencies.
Abaham Hurtado (Murcia)
Shouldn't cross II
Old Pavilion autopsy
Friday 27 and Saturday 28 10:00 p.m. 20.00h.
Speakers:
Alberto Bódalo, Ursula Bravo, Josman, Ruben Molina, Miriam Barriga.
special collaboration of Juan Diego Mena.
Shouldn't cross -consiste work on rolling in abandoned or unused spaces with a strong sense of emotional and historical memory, working with the poetics of absence that emanate these spaces.
The first of this series was created during his residency in Press Nams Riga, the building that housed the house of the press in times of the Soviet Union.
Composes past imagining possible scenarios of space and delves into a fictional universe from the current state of the building.
For this second part the artist generates a video installation for the former Pavilion Autopsy of Cartagena.
The installation consists of several canvases in which combines the physical presence and the filmic record of those presences
Abraham interested in this space to talk about a generation struggling to find a way out of their lives: economic stability and a career that makes them feel free and emancipated beings.
Young people who appear belong to a generation that are currently between 20 and 30, and who understands the ¿futuro¿ as a concept of the past.
Source: Ayuntamiento de Cartagena
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