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| The Museum of the Roman Theater of Cartagena will host the face-to-face sessions of this second congress to be held on November 5, 6 and 7 | The II International Trovo Congress, which was presented on July 24, has ended the registration period for academic proposals, receiving close to 50.

Among the fifty works presented are researchers and artists from Spain, Colombia, Argentina, Chile, Puerto Rico, Cuba and Panama.

Participants will review the role of poetic improvisation in the Hispanic sociocultural panorama, at the same time that they will review the history and modalities of repentismo, its impact on the media, didactics and the future of trovo, or its relationship with the groups.

(trovo cuadrillero) and other anthropological and ethnographic expressions. The Museum of the Roman Theater of Cartagena will host the face-to-face sessions of this second edition that will be held on November 5, 6 and 7, while the organization prepares the telematic logistics that can complement the anti-COVID measures and give the necessary dissemination to reach the international public, where the love of trova or payada is very extensive."For the Department of Culture of the Cartagena City Council, recovering this congress means enhancing and dignifying a fundamental legacy for our city such as the art of trovo, which the José María Marín Association has preserved and promoted in Cartagena and the Spanish southeast since its foundation in 1992 "has indicated the delegate councilor for Culture of the Cartagena City Council, Carlos Piñana. The beginning and end of the congress will be marked by tributes to Carlos Ferrándiz, and to Pedro Pérez Ros, “Cantares” and Paco Pedreño.

Dr.

Carlos Ferrándiz was one of the promoters of the first national trovo congress in 1976 and a broad scholar of Cartagena and its region, his publications and his humanistic zeal have marked a generation of researchers in the Region.

Pedro Pérez Ros, known as “Cantares”, illustrates the poster for this edition by artist Javier Lorente, it reflects the continuity of the Cartagena trovo before and after the Civil War; in turn, Paco Pedreño, a great flamenco singer, who accompanied the José María Marín troubadour association around the globe in recent decades, and who died a few years ago.

Source: Ayuntamiento de Cartagena