Portal de Cartagena
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The Subjective Room Nicomedes Gómez of the Department of Youth joins the initiative to carry out online activities, during the time of confinement, with the collaboration of 9 young creators who have participated with their works in this exhibition space aimed at promoting young artists cartageneros.
María Garberí, has been the first young creator who, through a video made in her house, has prepared a guide for her exhibition 'The photographer's cave: infinite Identity', currently exhibited in the Subjective Hall of the Town Hall, and closed to the public for the current difficult situation.
Pedro Giménez, Clara Ledo, María Garres, Paula Díaz, Lourdes Angosto, Sam Scasso, Javier Cruzado and María Briones also join this proposal, offering an intimate vision of their perception of art through the explanations of their works, as well as of the techniques used.
For the councilor for Youth, David Martínez Noguera, "this initiative will give us the opportunity to get to know our young artists much better, discover their incredible talent and enjoy their magnificent work and everything from home."
The different videos made for this purpose will be announced on the different social networks that the Department of Youth has, as well as on those of the Alternative Free Time program, T-LA, whose online activities take place from Thursday to Sunday.
EXHIBITIONS OF THE YOUNG ARTISTS IN THE SUBJECTIVE ROOM
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'Corners, brushstrokes of a story' by Pedro Giménez.
November 2016.
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'The Essential: Gold Inside You' by Clara Ledo.
December 2017.
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'Dreams of coal' by María Garres.
February 2018.
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'Skins' by Paula Díaz.
July 2018.
In his work he shows another vision of modernist Cartagena, paying attention to the details that predominate in the most relevant buildings in the city.
According to the artist's words, it shows an essential place, hidden in the depths of our being, where it delicately expresses its inner world in an allegorical and metaphorical way.
His series of natural drawings discover personal and intimate moments, in which the protagonists are his loved ones and closest, and each and every one of his works arise spontaneously in moments difficult to force.
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'Becoming: A journey to family memory in La Manga del Mar Menor' by Lourdes Angosto.
December 2018.
This exhibition arose from personal and family experiences in the Mar Menor, and its evocation from a present characterized by its environmental deterioration, a situation that generates mixed feelings in the people who have inhabited and traveled it for decades.
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Qualia.
Fractals of the same origin 'by Sam Scasso.
June 2019.
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'Family album, reluctance and memory' by Javier Cruzado.
September 2019.
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'Self-distortion.
The reflections of the imperceptible 'by María Briones.
November 2019.
This exhibition is the result of years of experimentation through photography and writing.
His works express through conceptual portraits his subjective vision of life in which realism seems to have been transformed into fiction.
In it, he collected a sample of drawings, engravings that force the public to stop looking and that appeal and intrigue equally.
With different procedures and techniques from mezzotint to photoengraving, they refer to old photographs of anonymous people, women, men and children who are nobody and who could be anyone.
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'The photographer's cave: infinite identity' by María Garberí.
Currently exhibited in the Subjective Room, and closed to the public after the State of Alarm was decreed, it is a visual work based on portrait photographs found in a cave, trying to endow with small stories that which had been stripped of all identity.
Source: Ayuntamiento de Cartagena
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