Nono García will make his first guided visit to the exhibition "Arqueologías", on Sunday 3 at 12.30.
The exhibition includes about forty works inspired by archaeological pieces preserved in the Archaeological Museums of the Region.
In some canvases we see with our own light objects of daily use that evoke the murmur of the people who inhabited the southeast throughout history.
In other works, the cold marble carved by the Romans has taken color and plasticity
In his creative process the artist has used his brushes as poetic language and evokes the deep admiration for those objects rescued from the past, that great puzzle of our History, now reworked from the perspective of contemporary art, looking for that point of encounter and dialogue with last.
In the tour of the exhibition the viewer will face some pieces rescued from the past painted with some realism, although surrounded by a warm and poetic atmosphere, where the artist's mastery of light and brushes allows almost caress the acanthus leaves of the Capital Corinthian of the Roman theater or the folds of the dress of the Citarista that accompanies the Altar of Jupiter.
Works carved in marble that decorated the Roman theater and that, now taken to the canvases, recall the play of lights and shadows so frequent in Roman mural painting.
Archeologies of a land where Phoenicians, Greeks, Carthaginians, Romans, Arabs, Jews and Christians navigated and lived.
Stories like that of the Byzantine neighborhood about the Roman theater destroyed by the Goths, where the roofs of their houses crushed the daily trousseaux of their dwellers, ajuares that Nono recovers as timeless still lifes, remembering the multiple civilizations that have passed through these lands.
ABOUT THE ARTIST
Nono García, is an artistic pseudonym of Antonio García Sánchez, was born in the Murcian city of Mula.
Since childhood he developed his artistic and aesthetic sense;
devoted entirely to painting over the years has become an accomplished painter of still lifes and urban landscapes, as well as nature with watercolor and mixed techniques in various supports.
In the southeast of the peninsula, it is a reference point in the present and an artist associated with the New Figuration renewed.
Formed at the Art School of Murcia, he has received classes from the hyperrealist Antonio López (2005), and above all from the master of light Pedro Cano (2004 and 2010), and the multi-faceted Cristóbal Gabarrón (2006-07), these being two last artists who will determine their artistic orientation and initiate you in the direct observation of nature and landscape, together with the influence of the master Ramón Gaya.
He has participated in numerous collective exhibitions in national and international geography.
Of the individual samples, stand out among others: Patina of the time, Palace of the Almudí, Murcia (2018);
The wait
Subjective reality, town hall, Mazarrón, Murcia (2017);
Latitude 37.4, Cajamurcia Foundation, Águilas, Murcia (2016);
Ascetic Variation, Museum-Convent of San Francisco, Mula, Murcia (2015);
Opera Intangibile at the Museo della Carta e della Filigrana in Fabriano, Italy (2013);
Passers-by in the different museums of the Gabarrón Foundation in New York (USA), Valladolid and the Painted House in Mula (2011).
Source: Ayuntamiento de Cartagena