Portal de Cartagena
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play Don Quixote, Giselle and The Messiah |
Concludes the dance program Murcia Auditorium this season with the participation of the National Opera Ballet of Bordeaux on Saturday May 22 at 20:30.
Directed by Charles Jude the company will perform excerpts from Don Quixote and Giselle and the complete works of The Messiah.
The co.
account since 2006 with Basque as a dancer Igor Yebra star, who will participate in two of the works of French ballet.
Tickets cost between 20 and 25 Euros.
The Ballet de l'Opéra National de Bordeaux since it was founded in the eighteenth century has been considered standard of French culture history and carrying an unmistakable style.
True to its artistic past, in the early nineties of the last century opened its classical heritage with modernity by renowned choreographers.
Thus in order to prolong the work of the company, Thierry Fouquet appointed director Charles Jude star dancer of the ballet in 1996.
Come to Murcia to close the season dance hall.
The first part of the show is based on an excerpt from Don Quixote and an excerpt from Giselle.
Don Quixote was created in 1869, based on the work of Cervantes, the great French choreographer Marius Petipa, a great lover of traditional Spanish dances, and especially Andalusia, as shown in this work.
The extract will be represented at the Auditorium will be its most emblematic, the grand pas de deux of Act III.
This part of the work is a holiday that revolves around the wedding of the characters of Basil and Quiteria.
This piece stands out for its spectacular and has passed into history of dance to be a major technical challenge for performers, while impressed by its dynamism.
Will be interpreted by the two stars of the ballet dancers: Spanish and Ukrainian Igor Yebra Kucheruk Oksana.
After Don Quixote, Ballet de Bordeaux National Opera will perform an excerpt from one of the masterpieces of Romantic dance, Giselle.
Premiered in 1841 at the Paris Opera becoming pure and fundamental piece of classical dance, both for the treatment of romantic ideals as the use of the finest nineteenth-century stagecraft.
Interpret the first act, where Giselle, peasant girl, is in love and is matched by Loys, whom she is a villager, but that is actually Albrecht, Duke of Silesia, which is passed by a farmer to get his love.
Hilarion, the gamekeeper, is also in love with Giselle, but is rejected by her, who confesses that her love belongs to Loys.
Hilarion odds with Loys, suspected him and swears to take revenge.
The villagers celebrate the end of the harvest and Giselle is crowned as the queen of the harvest.
Amid the dancing and the joy erupts Hilarion, who has discovered the deception Albrecht, exploits the presence of the Prince of Courtland and exposes the young Duke.
Giselle, in desperation, becomes insane and dies.
To conclude his stage presence Murcia Auditorium of the National Opera Ballet of Bordeaux play The Messiah, Handel's music and choreography by Mauricio Wainrot, who selected excerpts from the score 31 Haendel and the end, the famous choir the Alleluia.
Purified on a scene, 29 dancers in white clothes, almost academic, dresses evolve a set of blue lights.
Body architectures, carefully worked, explored, in the spirit of the Modern Dance, the principle of lift, both physical and spiritual implications.
The succession of solos, duets, trios and ensembles evokes the structure of classical ballet.
This piece will also be present Bilbao Igor Yebra.
Source: Mar de Músicas
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