Portal de Cartagena
www.portaldecartagena.com
This year the conference programming cycle of Mucho Mas Mayo Festival, organized by the Youth Council of the City of Cartagena, and coordinated by Lola Nieto, raises an interesting constellation of questions about the relationship between artistic practice, creativity and social transformation the city.
Artists and guest speakers will allow us to learn about experiences and projects that address the artistic interventions in urban settings accurate, which can bring contemporary artists to the educational and social involvement or criticism of public art in the society of spectacle.
The lecture series will be held from 10 to 14 May at the auditorium of the Museum of the Roman Theatre, from 19.00 hours on Monday and Thursday and 20:00 pm Tuesday and Wednesday and Friday.
Monday, May 10, 19.00horas-Skulpturenpark Berlin_Zentrum.
Artistic intervention in urban contexts.
Collective KUNSTrePUBLIK
One of the most ambitious projects of this group is that developed in Skulpturenpark BERLIN_ZENTRUM that rather than encourage the "Plop Art" or follow the tradition of many open-air museums.
Skulpturenpark Berlin_Zentrum are interested in sculpture as a process that has the potential to make criticism and social criticism and historical context provided by the site.
KUNSTrePUBLIK, Berlin art collective since 2006 lead the Skulpturenpark Berlin_Zentrum, 5 acres of unbuilt space in central Berlin, the former Berlin Wall border, which is a unique open space to accommodate a variety of activities socio-cultural.
http://www.kunstrepublik.de
www.skulpturenpark.org
Tuesday, May 11, 20.00h .- What contemporary artists can make to education?.
Clara Boj.
The confrontation with "strange" that usually defines the relationships between students and cultural artifacts common in the dynamics of art education, identifies a learning process characterized by the distance and detachment.
In this talk I will present some projects and educational strategies that have emerged and developed from non-formal educational settings, trying to build stable ties from which to address the visual arts education, bringing them into the territory of the same, what we have in common and share with artists.
Clara Boj, Ph.D. in Fine Arts from the Universidad Politécnica de Valencia.
Combines studies in contemporary art, new technologies and education.
Is interested in digital culture, communication processes, collaborative learning environments, especially in contemporary art as a tool for the activation of social criticism.
http://www.lalalab.org
Wednesday, May 12, 20.00h .- The joint intervention: Networking and styles transducers in cultural politics.
Rodrigo Javier Montero.
This presentation will establish the frameworks of political intervention of several projects moving in the field of context-specific transformation from long-term strategies for the articulation of social movements and activism, integrating cultural practices and interdisciplinary teams.
Rodrigo Javier Montero, researcher and educator in art.
Co-Coordinator of the cultural project developed from Aulabierta TRANSDUCERS.
Writes and researches on the intersections of cultural policies, pedagogies collective and collaborative projects.
More information: www.transductores.net
Thursday, May 13, 7:00 p.m. .- Criticism of public art.
Rogelio López Cuenca.
The experiences of critical art, not coincidentally, often had as a goal and a crucial stage space at issue in the changing face of de-industrialized cities of the West: the street, public space - which is understood not only in its physical dimension, but also symbolic and linguistic, ie politics.
But how can contemporary art practices to avoid being swallowed by the continuous flow of images in the city-end show and working as an element of urban neutralization target global tourism?
Rogelio López Cuenca, is one of the busiest artists on the international scene.
He has made interventions in urban spaces in Europe, U.S., Latin America, with special attention to issues such as the construction of identity or historical narrative.
Andalusia is a Nobel Prize in Art and Critical Eye Plastic Arts National Radio of Spain.
www.lopezcuenca.com
Friday, May 14, 20.00h .- Project IDENSITAT.
Ramon Parramon.
Idensitat driving dynamics that relate a number of creators, some of them working in the global context of art with some local areas.
Is to promote and encourage exchange between local people and others considered as visitors, seek to establish a communication that may be impregnated in the resulting project.
In this case the status of the artist applies to a broad understanding of practices that can come from many different disciplines who share an interest in work and influence Preliminary aspects of aesthetic creation that affects social and political territory.
Ramon Parramon, Director of the Center for Contemporary Art of Vic, in 2005 he was curator of public art program Madrid Open where he remains a consultant.
Directs IDENSITAT art project.
Addressing issues of public space.
His work is developed with a clear interest in interdisciplinary projects and the role that art can have in a specific sociopolitical context.
www.idensitat.net
Source: Ayuntamiento de Cartagena
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